I'm rollin' in a nine-oh van. california, that's my plan
Got memories mixalot left in limbo, first stop sacremento
Here we go, hit a club called bentleys
Want a skirt to git wit' me, hit me
There's a girl with a back like a cadillac
I walked up and got pushed back
Her boyfriend tell her i'm a play-a
Dropped salt on a shit rhyme say-
My reputation offends this man
Next day hit williamland park
Creepin' like a shark
Spot a bad freak and i swoop like a hawk
"what up?", "howya like to roll wit' a champ?"
"please! all ya'll rappers is tramps"
My reputation is stoppin' my mission
Every freak in sac is dissin'
Back on the four lane freeway
Next stop, the two-one-three, l.a.
The two-one-three is rough
But the mixalot game is tough
Spot a young girl and i start that gamin'
Baby girl asks what set am i claimin'
"just cuz i rap, i gotta be in gang?"
It ain't a black thang, it's a rap thang
Censorship is sweepin' the nation
Messin' up a rap stars reputation
A rappers reputation, that's what i got
So i'm finished with the two-one-three
I knock, baby, but it's time to leave
Two days on the hard rock, boys is cruisin'
Interstate ten, straight to houston
They tell me 'bout the girls in the fifth ward
You know the boys must score
So we hit a fly club called guchies
Lookin' for the skirts with the largest booties
Girlies in the club wasn't takin' no shorts
Showin' no remorse
For a brother like mix, lookin' for the smooth
Didn't need a houston skirt to get with me
But the nights still young
And the hunk ain't done
So we stepped to the van
Attitude's out of it
The next club, the main event
We never think about a dress code
Just step up in the club and let the game roll
But as soon as my boy maharaji pulls up
Some punk starts runnin' up
He said you don't wanna be with a rap star
They play you for your money and your car
Well my boy got crushed but the girl stepped off
With a rap stars rep, the girls are lost
"hey yo, what's up, this is mix i had to make a run
Right quick, but leave your name and number 'n i'll
Getcha right back, peace."
So the posse left houston texas
All the girls keep callin' us sexis
Houston media is givin' us rappers no pity
So we all hit kansas city
In k.c. we go the gates and suns
Gotta get grub 'fore we run
Met a little freak named stacy
I said i'm not just here for the barbecue baby
She gave me that look, like pebbles
I'm acked with bass not treble
So i say, oogley-goo oogley-doo-goo-doo
"what'd you say?" i ain't tellin' you
You see the mix game is laced with riddles
It ain't moaney, it's mix in the middle
In walked my ex named wendy
She got a fresh dooney bag
'cause she's tired of fendi
Oooh, could a brother be busted
Because wendy trusted, me?
An' ah told a lit'l lie 'n
Said i was a loyal guy
Wendy got mad and she wants to dis me
In kansas city
Wendy starts to groovin'
Hands on her hips and her hair starts movin'
She said the mixalot game is phony
Just 'cause i said i'm runnin' girls like ponies
But talkin' that stuff is my occupation
That's how i got this reputation
A rappers reputation, got a rappers reputation
Bring it on down. a rappers reputation, bring it back
A rappers reputation, that's what i got. a rappers
Reputation, peace.
A Rapper's Reputation - 林凡
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https://mojim.org/song/林凡-A-Rapper-s-Reputation-482135
[00:00.00]作詞 : Anthony L. Ray / Prince Rogers Nelson
[00:01.00]作曲 : Anthony L. Ray / Prince Rogers Nelson
[00:43.17]I'm rollin' in a nine-oh van. california, that's my plan
[00:47.25]Got memories mixalot left in limbo, first stop sacremento
[00:51.57]Here we go, hit a club called bentleys
[00:53.73]Want a skirt to git wit' me, hit me
[00:55.83]There's a girl with a back like a cadillac
[00:57.78]I walked up and got pushed back
[00:59.46]Her boyfriend tell her i'm a play-a
[01:01.44]Dropped salt on a shit rhyme say-
[01:03.42]My reputation offends this man
[01:05.85]Next day hit williamland park
[01:08.64]Creepin' like a shark
[01:09.60]Spot a bad freak and i swoop like a hawk
[01:11.49]"what up?", "howya like to roll wit' a champ?"
[01:13.62]"please! all ya'll rappers is tramps"
[01:15.57]My reputation is stoppin' my mission
[01:18.00]Every freak in sac is dissin'
[01:19.80]Back on the four lane freeway
[01:21.48]Next stop, the two-one-three, l.a.
[01:23.76]The two-one-three is rough
[01:25.62]But the mixalot game is tough
[01:27.21]Spot a young girl and i start that gamin'
[01:29.88]Baby girl asks what set am i claimin'
[01:31.83]"just cuz i rap, i gotta be in gang?"
[01:33.63]It ain't a black thang, it's a rap thang
[01:35.97]Censorship is sweepin' the nation
[01:37.92]Messin' up a rap stars reputation
[01:42.81]A rappers reputation, that's what i got
[01:47.73]So i'm finished with the two-one-three
[01:57.81]I knock, baby, but it's time to leave
[01:59.82]Two days on the hard rock, boys is cruisin'
[02:02.16]Interstate ten, straight to houston
[02:04.35]They tell me 'bout the girls in the fifth ward
[02:06.36]You know the boys must score
[02:07.92]So we hit a fly club called guchies
[02:10.05]Lookin' for the skirts with the largest booties
[02:12.24]Girlies in the club wasn't takin' no shorts
[02:14.37]Showin' no remorse
[02:15.99]For a brother like mix, lookin' for the smooth
[02:18.33]Didn't need a houston skirt to get with me
[02:21.03]But the nights still young
[02:22.53]And the hunk ain't done
[02:24.03]So we stepped to the van
[02:25.29]Attitude's out of it
[02:26.40]The next club, the main event
[02:28.44]We never think about a dress code
[02:30.12]Just step up in the club and let the game roll
[02:32.70]But as soon as my boy maharaji pulls up
[02:34.68]Some punk starts runnin' up
[02:36.06]He said you don't wanna be with a rap star
[02:38.31]They play you for your money and your car
[02:40.56]Well my boy got crushed but the girl stepped off
[02:42.78]With a rap stars rep, the girls are lost
[02:45.06]"hey yo, what's up, this is mix i had to make a run
[02:47.67]Right quick, but leave your name and number 'n i'll
[02:49.62]Getcha right back, peace."
[03:16.44]So the posse left houston texas
[03:18.51]All the girls keep callin' us sexis
[03:20.28]Houston media is givin' us rappers no pity
[03:22.56]So we all hit kansas city
[03:24.57]In k.c. we go the gates and suns
[03:26.82]Gotta get grub 'fore we run
[03:28.68]Met a little freak named stacy
[03:30.54]I said i'm not just here for the barbecue baby
[03:33.00]She gave me that look, like pebbles
[03:34.89]I'm acked with bass not treble
[03:36.63]So i say, oogley-goo oogley-doo-goo-doo
[03:38.67]"what'd you say?" i ain't tellin' you
[03:40.53]You see the mix game is laced with riddles
[03:42.63]It ain't moaney, it's mix in the middle
[03:44.73]In walked my ex named wendy
[03:46.62]She got a fresh dooney bag
[03:47.76]'cause she's tired of fendi
[03:48.99]Oooh, could a brother be busted
[03:51.21]Because wendy trusted, me?
[03:52.59]An' ah told a lit'l lie 'n
[03:55.08]Said i was a loyal guy
[03:57.06]Wendy got mad and she wants to dis me
[03:59.34]In kansas city
[04:01.08]Wendy starts to groovin'
[04:03.09]Hands on her hips and her hair starts movin'
[04:05.19]She said the mixalot game is phony
[04:07.17]Just 'cause i said i'm runnin' girls like ponies
[04:09.15]But talkin' that stuff is my occupation
[04:11.22]That's how i got this reputation
[04:16.11]A rappers reputation, got a rappers reputation
[04:28.65]Bring it on down. a rappers reputation, bring it back
[04:48.36]A rappers reputation, that's what i got. a rappers
[04:57.09]Reputation, peace.
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歌詞解析
一句話主旨
透過說唱歌手的旅行歷程，揭櫻聲譽對個人行為與社會認知的雙重影響。
主題
探討「說唱者聲譽」如何成為個人行動的枷鎖，並反映社會對說唱文化的刻板印象與誤解。
情緒
混合自信、挫敗、自我辯解與無奈，呈現聲譽背後的矛盾與孤獨感。
意象與手法
以「cadillac（凱迪拉克）」比喻女性身體、「shark（鯊魚）」與「hawk（鷹）」描繪潛行與攻擊姿態，透過地理空間移動（如薩克拉門托、洛杉磯、休士頓）象徵聲譽的擴散與壓力。重複「a rapper's reputation」強化主題，並以「mixalot game is laced with riddles（混音遊戲充滿謎題）」隱喻聲譽的難以掌控。
重點句解讀
1. "My reputation offends this man"
声譽成為衝突源頭，反映社會對說唱者的敵意，個人行為被簡化為「壞名聲」。
2. "It ain't a black thang, it's a rap thang"
辯解聲譽與種族無關，強調說唱文化本身的特殊性，卻也暗示外界對其的誤解。
3. "Wendy starts to groovin', hands on her hips..."
舊愛的質問揭露聲譽的雙面性——既帶來關注，也導致信任崩解，凸顯個人與社會的拉扯。
4. "A rapper's reputation, that's what i got"
無奈接受聲譽的束縛，將其視為無法擺脫的命運，點明主題核心。
適合情境
獨處時反思自我定位、面對社會壓力時尋求共鳴，或對「名聲」與「真實自我」關係感到困惑的時刻。
魔鏡站長解析
魔鏡站長
這首歌帶著濃厚的公路電影色彩，記錄了歌手在不同城市間穿梭的經歷。林凡以少見的節奏感詮釋這首作品，將那種身為創作者，因為身份標籤而被外界誤解、甚至被刻板印象拒絕的無奈，轉化成一種瀟灑的自嘲。聽著聽著，彷彿能看見那輛載滿故事的車，在跨州公路上奔馳，試圖在各個俱樂部尋找共鳴，卻又不斷被貼上各種標籤的畫面。
最觸動我的，是歌詞裡提到被質疑是否加入了幫派，或是被認為只是為了錢與名氣而接近女性的橋段。這些描寫真實地展現了公眾人物在舞台光環背後，那種渴望被理解卻又屢屢碰壁的疲憊。其實這不只是關於饒舌歌手的遭遇，更像是現代人在複雜社會中，如何面對他人投射而來的偏見。適合在開車長途旅行時獨自聆聽，跟著節奏釋放那些被外界定義的壓力，你會發現，即便名聲被扭曲，只要堅持做自己，那份獨特的節奏依舊能為自己的人生領航。
歌曲冷知識
・歌詞以公路旅行的形式，串聯加州、休士頓與堪薩斯城等城市，呈現饒舌歌手在各地闖蕩的奔波感。
・透過「名聲」這個核心意象，精準描繪饒舌歌手在追求女性時，因職業刻板印象而頻頻受挫的無奈。
・運用「饒舌不是幫派問題，而是饒舌本質」的直白對話，辯證歌手身份與大眾誤解之間的矛盾。
・結尾處將「說大話」定義為職業需求，巧妙地將爭議性的「名聲」轉化為饒舌文化中不可或缺的表演成分。