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游牧

Give It Up

黃玠瑋 · 游牧

在時間與命運的拉鋤中,面對放棄或堅持的極限抉擇。

〈Give It Up〉是黃玠瑋演唱的歌曲,收錄於專輯《游牧》。經魔鏡 AI 音訊分析,全曲調性為 G 小調、速度約每分鐘 81 拍、整體情緒憂傷。魔鏡歌詞網收錄本曲的完整歌詞、吉他和弦譜、卡拉OK 同步歌詞,皆可免費查看。

6,049 次觀看 351 人喜歡 4.5(134 人評分)
調性G 小調 節奏81 BPM 情緒憂傷 AI 音訊分析
字級
Give it up
Or don't give up
What it takes
What it takes, yeah
I don't know
Have no such time to waste, yeah
You'd better
You'd better, better be running to death
You'd better
You'd better, better be keeping you alive
Or trying not to burn everything into ashes
Tah-dah
Give it up
Or don't give up
What it takes
What it takes, yeah
I don't know
Have no such time to waste, yeah
You'd better
You'd better, better be running to death
You'd better
You'd better, better be keeping you alive
Or trying not to burn everything into ashes
Tah-dah
You'd better
You'd better, better be running to death
You'd better
You'd better, better be keeping you alive
Or trying not to burn everything into ashes
Tah-dah
You'd better
You'd better, better be running to death
You'd better
You'd better, better be keeping you alive
Or trying not to burn everything into ashes
Tah-dah
Give it up
Or don't give up
What it takes
What it takes, yeah
I don't know
Have no such time to waste, yeah
Give It Up - 黃玠瑋 更多更詳盡歌詞在 ※ Mojim.org 魔鏡歌詞網 https://mojim.org/song/黃玠瑋-Give-It-Up-235647
對拍微調
[00:00.61]Give it up
[00:02.75]Or don't give up
[00:04.64]What it takes
[00:07.18]What it takes, yeah
[00:10.15]I don't know
[00:11.79]Have no such time to waste, yeah
[00:19.42]You'd better
[00:20.18]You'd better, better be running to death
[00:24.13]You'd better
[00:24.98]You'd better, better be keeping you alive
[00:28.05]Or trying not to burn everything into ashes
[00:32.53]Tah-dah
[00:37.87]Give it up
[00:39.97]Or don't give up
[00:42.05]What it takes
[00:44.26]What it takes, yeah
[00:47.46]I don't know
[00:49.15]Have no such time to waste, yeah
[01:17.47]You'd better
[01:18.62]You'd better, better be running to death
[01:22.19]You'd better
[01:23.23]You'd better, better be keeping you alive
[01:26.35]Or trying not to burn everything into ashes
[01:30.84]Tah-dah
[01:36.28]You'd better
[01:36.93]You'd better, better be running to death
[01:40.72]You'd better
[01:41.84]You'd better, better be keeping you alive
[01:45.00]Or trying not to burn everything into ashes
[01:49.38]Tah-dah
[02:13.67]You'd better
[02:14.52]You'd better, better be running to death
[02:18.23]You'd better
[02:19.13]You'd better, better be keeping you alive
[02:22.22]Or trying not to burn everything into ashes
[02:26.79]Tah-dah
[02:36.61]Give it up
[02:38.63]Or don't give up
[02:40.97]What it takes
[02:43.15]What it takes, yeah
[02:46.12]I don't know
[02:47.72]Have no such time to waste, yeah
移調 原調
C#G#
Give it up
G#mE
Or don't give up
B
What it takes
F#
What it takes, yeah
C#C
I don't know
CmCDAmDF#GD#mF#C#m
Have no such time to waste, yeah
You'd better
F#mCmD#Fm
You'd better, better be running to death
E
You'd better
DEmBG
You'd better, better be keeping you alive
F#C#mCmGm
Or trying not to burn everything into ashes
D#G#DGG#m
Tah-dah
F#AC#
Give it up
CmD#Cm
Or don't give up
EmEF#m
What it takes
FmEG#m
What it takes, yeah
C#m
I don't know
CC#mF#mCAmF#mG#EmGBGC#mC#CmGCEC#mEDBEmD#F#CmF#CmD#CmG#EC#mG#mG
Have no such time to waste, yeah
GmC
You'd better
C#mF#G
You'd better, better be running to death
D#
You'd better
CmAC#mD
You'd better, better be keeping you alive
GGmBF#C#mF#
Or trying not to burn everything into ashes
CmD#CG#mC#mFmG#
Tah-dah
E
You'd better
GBCmC#F#
You'd better, better be running to death
F#m
You'd better
GCmG#
You'd better, better be keeping you alive
CGGmGGm
Or trying not to burn everything into ashes
C#mC#F#CmCCmBF#mG#mC#GBA#mC#mF#CD#G#C#F#mG#mD#EmC#mCmA#mC#GC
Tah-dah
GmD#
You'd better
AAmEEm
You'd better, better be running to death
D#Gm
You'd better
C#C#mC#Cm
You'd better, better be keeping you alive
GD#GmC#DG#m
Or trying not to burn everything into ashes
GBC#mF#C#C#mGGmF#
Tah-dah
FmGmF
Give it up
D#mCm
Or don't give up
GmF#F#m
What it takes
AF#mEmD#
What it takes, yeah
I don't know
GD#mF#mGmCmD#DD#FD#CmAmD#GmCmGD#GD#G#D#CmD#GmD#GmD#GDGGmCCmGCmGmCmD#CmGmD#CmGmD#GmGGmCmCCmD#CmD#CmD#GmCmGmD#GCmGmD#GmCmGmCmF#mD#GCmGmD#CmD#CmD#GmCmDCmD#CmGmD#CmGmCmGmD#CmGmDGCmGDGCmGCGmCmD#GmCmGmD#GmCGmGCmGmGCmGmGGmGCD#GGmCmGmCmD#CmD#CmCCmCD#CGmCmGmCmGmCmGmGCmGCmD#CmD#CmGGmCGGmCmGD#CmD#CmGCmGmG#CmD#CmDGmCmGmD#CmGCmD#CmD#CmD#CmGmGD#CmGmCmGD#EmGGmCmD#CmGmCmD#CmD#CmCD#CmD#CmD#GCmD#GmD#GmD#GmCmF#D#EGmD#GmCmD#CD#EmGmGGmCmGmD#GmCmD#GmD#CmGmGGmD#GmD#GmCGmD#GmDGmCmGmD#GmCmGmDD#GGmD#mD#GD#GmD#EmEF#CmGD#GmD#GD#GmCCmCGmCD#GmD#FC#mF#D#GmCmF#mA#FmCmF#mFCCmF#A#mF#GGmCmGmD#CD#CmF#mD#GmAmFF#GmD#GmD#GmF#GmD#CmGmA#mCD#AmF#D#EmGmCmA#CD#GmCD#GmCD#FCmFD#F#CGmD#CFD#CmGmD#FD#CD#CAmCD#GmCD#FCmGD#FmCmGmC#GmD#GmF#FmD#GmD#FD#CD#GmFmCD#CD#mD#FmFFmD#CmD#CmCFD#CmD#FD#AmD#CmD#GmCmCGmAmD#GmCmF#D#GmF#FmCF#D#A#mFCGmCA#mF#CGmCmD#CmGmD#CGmD#GmD#GmF#mCFD#F#D#GmCmD#CmFCmCCmD#GmCCmD#F#GmCF#mD#GmD#CGmD#FmAmG#GmCmD#CmD#GmCCmCEmA#D#CCmD#DGmD#GmFD#GmF#D#CmFGmCmD#CmD#FmF#D#G#GmD#D#mD#AmD#CmCC#FF#mDmD#FmCmFmG#FmD#FCD#CF#mGmCmGmD#CGmDmCD#GmF#GmD#CmGD#FD#F#mD#GmFCmD#GmCmD#GmA#D#GmF#mD#CD#GmD#FD#GmD#CGmEmF#CmFD#FD#mD#CmD#EmCmD#D#mD#F#D#GmAmFDGmD#CmD#GmG#CmGmCmD#CmGmD#GmD#DD#CmD#FmCD#CmCCmD#A#mCmD#CFmD#CmD#FD#CCmD#CmD#F#mCD#GmD#CmD#A#mFD#FGmDmCmD#CD#CCmGmD#D#mCmD#CmGmD#CmFCmCEmF#FmD#A#A#mD#GmCmD#CmGmG#D#GmD#EmD#GmD#D#mGD#CGmF#mGmD#CCmD#A#mGmA#D#CmGmCGmD#CGmD#CmD#CmD#D#mCmD#CmGmD#A#CGmD#GmF#D#CmD#F#mCmGmF#D#FmD#CFmD#DD#GmFD#GmD#FD#GmD#CmGmD#GmCmC#mF#D#GmD#A#GmF#D#DD#CmFAmD#GmD#FmD#mD#CA#GmF#D#mD#F#F#mGmD#GmD#GmD#CAmCmG#CmD#CD#EmF#FD#CD#FCmD#GmFmG#D#GmF#CmGmD#CGmD#F#D#CD#CmGmCD#CmD#CmFFmCD#mGmCD#D#mD#CmCD#CFmGmF#mGmD#FmD#G#GmD#GmA#mF#D#mGmD#GmD#F#D#EmGmF#D#GmCmD#GmD#F#mGmFmD#F#GmCmD#mD#D#mFGmD#GmD#GmD#FmGmF#mD#FmD#CmG#GmCmD#CmF#mGmCmCCmAmFCmD#FFmFA#mFmA#mCDCFAmCFCCmGCCmGmD#GmCGmFCmGmCD#GmCmCCmCFCCmGmCmCD#GmA#mD#FmD#CmCD#GmD#FGmA#mGmCmFD#mD#CFF#D#mF#mD#FmCmF#CD#GmD#FmCCmGmFGmCmFD#FF#mD#F#GmCD#GmD#FGmFD#FD#GmA#CmD#D#mD#FmD#CGmCGmCFGmFAmD#mCF#D#F#GmF#GmCmD#GmFF#EmFGmF#D#CmCEDD#mCD#mFF#DGmA#D#D#mCmD#GmCD#A#D#FGmCmDGmBmD#BmF#D#CmCD#CmDG#CmFmBmD#mCmCD#CGmD#CD#mD#D#mD#DCmGCmAmCCmCC#mCmFD#GmGCmGmCCmFCmCCmD#CD#CGmFmCmD#CmD#CmGmD#FFmCD#CmD#CCmGmCGmCmGmD#GmCCmD#GmCmEmCGmD#CD#CCmGCmG#CD#CmGmCmF#mCmGmD#CmFmD#A#mD#GmD#EmCmD#GCA#FmCmD#EmCFmD#CmCCmGmD#FCD#DCmD#GGmCD#D#mD#CCmG#FCmG#FmF#mFCF#mD#CmD#DmD#CmD#CD#CmCD#CmD#FD#FCFD#CGmCD#FmG#CGAmCFCD#CD#CCmCD#FCD#CmGmCCmGmCmD#CmD#FEmGD#CGmGCCmGmD#GmCmD#FCmA#mCmFCCmA#CmGC#G#mFA#mCmD#A#FD#GmFGCG#D#GFDmF#mCmCGmCmEmCGmGF#DGmCmGmCGmCmGmCFmCmFmGmGCGmCAmBD#mBFmCmG#mFG#D#CmD#FGmFmCCmCCmGmFmD#FmCmAmCCmAmD#CFCCmFCGmCmD#CmFCmD#GmCCmCCmCAmFGmCmFD#CmF#mCmFmCmCCmD#FmCFD#CmD#CmCCmD#CmGAFCmF#mG#CGmCmCD#GmCmFGmCmEmD#DmCmF#mCmGmD#FmCmFD#CD#CmD#CFEmD#CmCEmCmD#GD#FGmD#GmCmD#GmCGmCF#GmCCmDCmCCmGmCmD#GD#GmD#CFmD#DCFD#FGmCCmGmCCmCCmCD#F#mCmD#CmD#GmCmD#DD#GmD#EmCF#CmG#D#CGmD#GmD#CmD#CmD#F#FAmCmFCGmCGmCmF#mGmG#CmGmAmD#F#mGmCCmGmDD#FEmFmCmD#C#G#D#GmFCmD#CmD#GmDGmEmFmGmCFCD#GmCD#CD#mD#CCmGmDmAmD#DCmCCmGmCmGDmCmCD#CmCCmBCmGmCD#CmD#CmFCmCD#DFD#mCFCCmGmCCmD#CGFGCFD#CmCEmCFCmD#CmD#DCD#FmGGmD#CmFCmGmFmCD#CD#DGmCFmCA#FC#CmFmGmD#CmD#FmC#CmCEmCmCECCmF#mD#BCmGmCF#CmCGmFCmEmAmDD#FmDCCmCCmFmDD#CCmD#CmEmCD#GmGCmD#CmAmBmGmFGmCD#AmFCmF#FD#CCmD#CD#GmFCmGmD#CmFCmGmD#CmFEmGmF#mCCmD#CmFCD#CCmFCCmD#CCmGmCmD#GmCCmGmD#A#mCFCmD#CCmF#mD#G#FmD#AmCmD#CmD#FD#CGmD#GmD#F#GFmCF#mAGmAmCFmGmD#A#D#CCmD#CGmA#CmFmGmCFCmFD#CmCFCD#F#mFmGmD#GmCmD#CmFF#F#mFC#GmD#CmCD#CCmDCCmCD#CmD#CmFD#CmD#CmCCmD#CmCCmD#CmGmA#FCGmD#CC#D#FD#
Have no such time to waste, yeah

和弦由 AI 自動分析音訊產生(自動辨識,僅供參考)。

更多和弦譜:吉他和弦譜總表 · G 調的歌 · 新手友善和弦

AI 從音訊辨識的主旋律(以 G 調為 1,數字上下點為高低八度)。為自動估計、個別音可能有誤,僅供哼唱抓調參考,非正式樂譜。彈唱請看「和弦」分頁。

跟這首歌對話

AI 依歌詞回答(免費,僅供參考)

曲解析

《Give It Up》調性為 G 小調、速度約每分鐘 81 拍、整體情緒憂傷。主要和弦為 D#、Cm、Gm、C。(以上為 AI 音訊分析,僅供參考)

歌詞解析

一句話主旨

在時間與命運的拉鋤中,面對放棄或堅持的極限抉擇。

主題

探討人類在絕境中掙扎求生的矛盾心理,以及對自我存在價值的質問與掙扎。

情緒

緊張、焦慮、掙扎感,夾雜著對命運的無力感與潛在的反抗意志。

意象與手法

「跑步至死亡」象徵無意義的強迫性努力,「灰燼」隱喻毀滅或重生的可能,重複句式強化壓迫感與宿命感。

重點句解讀

1. 「You'd better be running to death」

原文句式強烈暗示無目標的奔逃,隱喻人們在壓力下盲目行動,卻可能加速崩潰。

2. 「Trying not to burn everything into ashes」

表達對破壞的戒慎,卻也透露出失控的恐懼,象徵對自我與環境的雙重掙扎。

3. 「I don't know / Have no such time to waste」

直述無力感與時間的殘酷,凸顯人在絕境中對未來的茫然與焦慮。

適合情境

面對重大壓力或生命轉折點時,需自我激勵或反思生存意義的時刻。

魔鏡站長解析

站長私房短評:打動人的地方、適合什麼時刻聽(產生後永久保存)。

歌曲冷知識

AI 依歌詞整理 3-4 點有趣觀察(產生後永久保存)。

〈Give It Up〉和弦與演奏解析

和弦組成

AI 從〈Give It Up〉的音訊辨識出 24 種和弦,全曲約 33 分 31 秒,換和弦 2078 次,平均每分鐘換 62.0 次,以每分鐘 81 拍計算,大約每 1.3 拍換一次和弦。

依出現時間長短排序,用得最多的是 D#(bVI,約 25%)、Cm(iv,約 20%)、Gm(i,約 16%)、C(IV,約 11%)、F(bVII,約 6%)。括號裡是以 G 小調為準的級數,用得最多的是 bVI 級的 D#,主和弦 Gm 佔 16%。

調內和弦佔全曲時間的 68%,調外和弦以 C(IV,11%)、G(I,4%) 最明顯,是這首歌和聲色彩變化的來源。

最常出現的和弦進行

〈Give It Up〉重複最多次的四和弦進行是 Gm → Cm → D# → Cm(級數 i → iv → bVI → iv),全曲出現 14 次,第一次大約在 3 分 24 秒 的位置,這幾段加起來約佔全曲換和弦的 3%。

吉他彈奏建議

用原調 G 彈,開放和弦(不用按封閉的 C、D、E、G、A、Am、Dm、Em)約佔 20% 的時間,需要按封閉或較難的和弦有 D#、Cm、Gm、F。

建議夾 Capo 3、改用 Em 的指型彈,聲音一樣是原調,開放和弦比例可提高到 84%,對新手比較友善。

在黃玠瑋作品裡的位置

魔鏡分析過 黃玠瑋 的 127 首歌,其中 G 小調有 3 首(2%),黃玠瑋最常用的是 F 小調(21 首)。

每分鐘 81 拍比黃玠瑋 9% 的歌還快,黃玠瑋歌曲的中位數速度是 129 拍,在黃玠瑋的作品裡算偏慢。

情緒同樣是「憂傷」的作品,黃玠瑋共有 11 首。

以上數字由魔鏡 AI 從音訊自動分析的和弦與旋律計算,僅供參考。

主要和弦按法:D#CmGmCF

夾 Capo 3 後主要和弦都是開放和弦,不用按封閉和弦。更多不用封閉和弦的歌 →

黃玠瑋全部吉他譜:原調、Capo 與難易度 →

這首歌詞如何?

常見問題

Give It Up的歌詞在講什麼?

在時間與命運的拉鋤中,面對放棄或堅持的極限抉擇。

Give It Up是誰唱的?

Give It Up由黃玠瑋演唱,完整歌詞與歌曲解析可在魔鏡歌詞網查看。

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